Sunday, June 2, 2019

Culture of India :: Ancient World Culture

It is not surprising that thinkers as diverse as Ralph Waldo Emerson and Mahatma Gandhi have found inspiration in The Bhagavad Gita, the great HINDU religious poem. At offset glance, this statement must seem odd to you after all, The Bhagavad Gita describes a momentary surcease in a vast battle in which brothers fight brothers in bloody, historical technicolor. The principal character, Arjuna, sits in a chariot in the midst of the mass of soldiers who wait -- surprisingly patiently -- as Arjuna looks into his conscience and questions his divine charioteer, Krishna. Krishnas shipboard job as charioteer is by no means accidental this moment before the heat and horror of battle was chosen as precisely the castigate time to reflect on the nature of duty and devotion. The Bhagavad Gita, then, becomes a record of Arjunas questions and Krishnas provocative responses.You might ask What does this single work, a strangely didactic extension to the epic Mahabharata, say about ANCIENT INDIA? What does this work say about modern India? Can a reading of The Bhagavad Gita help us today to encounter tone in Indian societies some 25 centuries ago? Can a reading of The Bhagavad Gita disclose elements of Indian life?It is doubtful that Emerson read The Bhagavad Gita as a guide to the world of the Hindoos (as he would have spelled it). It is doubtful that he felt he knew India as a result of his reading, much as volume (foolishly?) feel they know a country by reading a travel and tourism guide to that nation. Instead, Emerson responded to the great concepts and questions that The Bhagavad Gita explores the notion that an individual human life is but part of a greater reality of which humans, likewise, are a part the notion of the transitory nature of suffering and pain (not to mention pleasure) the valorizing of the spiritual, not the material, part of human nature.

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